sE Electronics
V Pack Club
Microphone set for drums and percussion
sE's V PACKS provide effortlessly amazing sound for your entire drum kit.
The V PACK CLUB consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE7 condensers for your overheads.
All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.
The V KICK: Unbeatable punch & impact, with four custom voicings to cover any sonic need.
From big band to metalcore, the V KICK has got you covered. The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Its integrated swivel joint allows for any required mic placement, and its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone. From warm and classic to modern and aggressive, the V KICK gives you any kick drum sound you need.
From classic to modern:
Four switchable sonic voicings. Two switches on the rear side of the V KICK allow you four different sound settings, great for tailoring the sound for your specific project – and ideal for live shows with multiple bands and short changeovers. And since they’re on the back of the mic, these switches are still accessible even if the V KICK is placed inside a kick drum.
With the V KICK, you can always make the right choice with just a single microphone.
The left-hand switch shapes the microphone’s overall voicing.
“Classic” provides a more traditional kick drum sound with a familiar low frequency punch and a warmer, more rounded sound. If a more contemporary, aggressive sound is desired, the “Modern” setting emphasizes the low end and high end (a “scooped” sound).
The right-hand switch specifically tailors the high-frequency character.
“Classic” provides a typical bite in the upper midrange (presence boost) and a more rounded and familiar sound, while “Modern” provides an open, clear and transient-rich top end for a more contemporary, aggressive drum sound - ideal for metal and hard rock.
The most compact kick drum mic on the market: The V KICK’s extremely low profile allows for effortless placement outside or inside a kick drum, and its integrated swivel joint allows for easy positioning inside (through the drum head port) or outside the kick drum. And with the stand mount and the XLR connector mounted side-by-side in parallel on the underside of the mic, your mic cables stay flush with the mic stand – no cable clutter, completely minimal footprint, and easy to place anywhere.
The heart of the V KICK: the DMC7 SB capsule. The all-new custom DMC7 SB capsule offers the same technologies and features as its siblings within the acclaimed V7 and V7 X, including the innovative, specialized aluminum voice coil. While the V7 X is optimized for most other instruments, the capsule in the V KICK has been custom-tuned for the very lowest and loudest tones. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with effortless capture of low frequency energy and punch. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments. The excellent off-axis rejection of this sophisticated capsule also helps isolate your kick drum from other sound sources on the stage - efficiently reducing stage bleed and spill from snare, toms, hi-hat and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the sound source. Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency. Unique, patented integrated capsule suspension
The V KICK’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount.
All-metal housing & spring steel grille with gold XLR connector: The V KICK's road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V KICK in any position. Plus, the V KICK's gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come.
The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
Some popular drum mic mounting systems (such as the LP®Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V KICK due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you.
Powerful. Natural. Focused. - The V7 X brings all of your instruments to life.
A supercardioid dynamic instrument microphone that lifts the sonic curtain in front of your sources, connecting listeners with your performance at a whole new level. The sibling to the acclaimed vocal-oriented V7, the V7 X is a dynamic instrument microphone ideal for a broad range of instrumental applications - both in the studio and on stage. Its specialized capsule’s innovative aluminum voice coil and brand new acoustic design are specifically tailored for full-bandwidth instrumental reinforcement & recording, with a perfect balance of detailed highs and deep, ultra-powerful lows, allowing for use on nearly any source from electric guitar cabinets to brass instruments, snare drums to choir, and many more.
In a world crowded with dynamic microphones - and largely led by a small handful of “industry standards” - the V7 has rapidly achieved high praise from both artists and reviewers alike with its stunningly realistic sound quality, immense gain before feedback, and superior off-axis rejection.
The V7 X brings these same desirable qualities to your instruments, providing a perfectly natural picture of their sound in any live or studio environment - and thus offering an even closer connection between the instrument and the listener.
The all-new custom DMC7 X capsule offers the same technologies and features as its sibling within the V7, including its innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V7 X has been custom-tuned for instrumental use. The upper frequency range is smooth & balanced, capturing every nuance of the player, while the lowered resonance and extended, powerful low frequency response allows for a complete spectrum of instruments: 4x12 guitar cabs, toms, snares, horns, rotary organs, or any other instrument all come through loud, natural, and clear.
The supercardioid pattern of this sophisticated capsule also helps isolate your instruments from other sound sources on the stage - efficiently reducing stage bleed and ensuring copious amounts of gain before feedback.
Proven neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency.
The V7 X's road-ready design is all metal - no plastic parts here. The chassis' high quality, highly durable zinc alloy is designed to hold up under on-stage stress for years, and the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability.
And see that beveled edge around the grille? This prevents the V7 X from rolling when set down on top of an amp or the stage floor.
The V7 X’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and providing exceptionally low rumble and handling noise as compared to other mics in its class.
The red internal windscreen efficiently reduces unwanted wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
The V7 X's gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come.
The V BEAT & V CLAMP: Superior isolation & effortless sonics, all with minimal footprint & maximum flexibility. Effortlessly amazing sound for any snare or tom drum, whether on-stage or off. The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X instrument dynamic, but in a dedicated low-profile & drum-friendly form factor. Tuned for instrumental use, it can also be used on sources such as electric guitar speaker cabinets or brass instruments.
Its specialized capsule provides a highly detailed, extremely natural sound character on snares or toms of any size, with amazing off-axis rejection to minimize bleed from nearby drums and cymbals. Its ultra-compact design and parallel XLR connector & stand mount give it the smallest footprint in its class, and its rock-solid swivel mount allows its angle to be adjusted with great precision – so it can be aimed at almost any part of the drum head to achieve whatever sound character is required.
Compact, flexible, and minimalist design: The V BEAT utilizes an extremely low-profile mechanical design, with the XLR connector and stand mount integrated in parallel on the underside of the flexible swivel mount. This minimizes the V BEAT’s footprint, removes any cables from line-of-sight, and negates the need for any right-angle adapters or special cables. It also means there’s no danger of cables interfering with the drummer’s performance, as they are kept out of the way of cymbals and drum sticks alike.
When used as intended with the V CLAMP, the V BEAT becomes even more compact and even more flexible.
The V CLAMP adds another axis of vertical movement for even better fine-positioning ability, and keeps the V BEAT securely fastened to your drum rim while adding barely any bulk to the overall footprint.
The custom DMC7 X capsule offers the same technologies and features as its sibling within the acclaimed V7, including the innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V BEAT has been custom-tuned for instrumental use. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with deep and clear lows for stellar performance. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments.
The excellent off-axis rejection of this sophisticated capsule also helps isolate your drums from other sound sources on the stage - efficiently reducing stage bleed and spill from other drums, cymbals and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the drum head.
Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency.
Unique, patented integrated capsule suspension: The V BEAT’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount.
All-metal housing & spring steel grille with gold XLR connector: The V BEAT’s road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V BEAT in any position.
Plus, the V BEAT’s gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come.
The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
Some popular drum mic mounting systems (such as the LP® Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V BEAT due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you.
The V BEAT + V CLAMP: Effortlessly amazing sound on any snare or tom, with minimal footprint and maximum flexibility. It's a no-brainer.
The sE7: A compact & classy condenser.
The sE7 is a high-quality back-electret small diaphragm condenser microphone intended for a wide range of studio and live sound applications, from acoustic guitars to pianos to drums and beyond.
With an optimized acoustic design, discrete class-A circuitry and a transformerless output, it delivers clear, natural sound quality at all frequencies, without suffering from fizzy highs or a lack of low-frequency punch.
The discrete electronics and the switchable attenuation pad ensure a high dynamic range, with high sound pressure level (SPL) handling capability and extremely low-noise components. The switchable low-cut filter helps eliminate rumble or footfall noise, and can also compensate for an excess of bass frequencies caused by the proximity effect. This enables the sE7 to close-mic many instruments including electric guitar speaker cabinets, brass instruments and drums.
Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy all-metal design, robust construction, and high-quality manufacturing standards. The sE7’s specialized capsule is designed for natural, balanced sound quality, with an ultra-thin diaphragm for excellent transient response. Its cardioid polar pattern also makes it ideal for most studio or stage applications, delivering great sound for almost any source.
With a very short signal path and state of the art electronics, the sE7 is the quietest microphone in its class. The transformerless design ensures pristine sound quality, reproducing instruments with excellent clarity and depth.
The switchable -20dB attenuation pad prevents overloading your preamp or mixer and provides extended dynamic range, enabling close-mic techniques for even the loudest sources like brass instruments and snare drums.
The integrated 80Hz low-cut filter helps to eliminate low-frequency rumble or footfall noise, or to compensate for excessive bass (proximity effect) with close-mic techniques.
The sE7’s all-metal chassis provides efficient rejection of any electrical interference and noise, and its high-quality finish ensures a great look for years to come, and the corrosion-free gold-plated XLR contacts ensure a loss-free, reliable signal connection for years and years and years and...
The sE7 also comes standard with a custom mic clip that will securely attach it to any mic stand via the included thread adapter, plus a windscreen to avoid wind noise.
The V PACK CLUB consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE7 condensers for your overheads.
All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.
The V KICK: Unbeatable punch & impact, with four custom voicings to cover any sonic need.
From big band to metalcore, the V KICK has got you covered. The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Its integrated swivel joint allows for any required mic placement, and its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone. From warm and classic to modern and aggressive, the V KICK gives you any kick drum sound you need.
From classic to modern:
Four switchable sonic voicings. Two switches on the rear side of the V KICK allow you four different sound settings, great for tailoring the sound for your specific project – and ideal for live shows with multiple bands and short changeovers. And since they’re on the back of the mic, these switches are still accessible even if the V KICK is placed inside a kick drum.
With the V KICK, you can always make the right choice with just a single microphone.
The left-hand switch shapes the microphone’s overall voicing.
“Classic” provides a more traditional kick drum sound with a familiar low frequency punch and a warmer, more rounded sound. If a more contemporary, aggressive sound is desired, the “Modern” setting emphasizes the low end and high end (a “scooped” sound).
The right-hand switch specifically tailors the high-frequency character.
“Classic” provides a typical bite in the upper midrange (presence boost) and a more rounded and familiar sound, while “Modern” provides an open, clear and transient-rich top end for a more contemporary, aggressive drum sound - ideal for metal and hard rock.
The most compact kick drum mic on the market: The V KICK’s extremely low profile allows for effortless placement outside or inside a kick drum, and its integrated swivel joint allows for easy positioning inside (through the drum head port) or outside the kick drum. And with the stand mount and the XLR connector mounted side-by-side in parallel on the underside of the mic, your mic cables stay flush with the mic stand – no cable clutter, completely minimal footprint, and easy to place anywhere.
The heart of the V KICK: the DMC7 SB capsule. The all-new custom DMC7 SB capsule offers the same technologies and features as its siblings within the acclaimed V7 and V7 X, including the innovative, specialized aluminum voice coil. While the V7 X is optimized for most other instruments, the capsule in the V KICK has been custom-tuned for the very lowest and loudest tones. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with effortless capture of low frequency energy and punch. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments. The excellent off-axis rejection of this sophisticated capsule also helps isolate your kick drum from other sound sources on the stage - efficiently reducing stage bleed and spill from snare, toms, hi-hat and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the sound source. Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency. Unique, patented integrated capsule suspension
The V KICK’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount.
All-metal housing & spring steel grille with gold XLR connector: The V KICK's road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V KICK in any position. Plus, the V KICK's gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come.
The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
Some popular drum mic mounting systems (such as the LP®Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V KICK due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you.
Powerful. Natural. Focused. - The V7 X brings all of your instruments to life.
A supercardioid dynamic instrument microphone that lifts the sonic curtain in front of your sources, connecting listeners with your performance at a whole new level. The sibling to the acclaimed vocal-oriented V7, the V7 X is a dynamic instrument microphone ideal for a broad range of instrumental applications - both in the studio and on stage. Its specialized capsule’s innovative aluminum voice coil and brand new acoustic design are specifically tailored for full-bandwidth instrumental reinforcement & recording, with a perfect balance of detailed highs and deep, ultra-powerful lows, allowing for use on nearly any source from electric guitar cabinets to brass instruments, snare drums to choir, and many more.
In a world crowded with dynamic microphones - and largely led by a small handful of “industry standards” - the V7 has rapidly achieved high praise from both artists and reviewers alike with its stunningly realistic sound quality, immense gain before feedback, and superior off-axis rejection.
The V7 X brings these same desirable qualities to your instruments, providing a perfectly natural picture of their sound in any live or studio environment - and thus offering an even closer connection between the instrument and the listener.
The all-new custom DMC7 X capsule offers the same technologies and features as its sibling within the V7, including its innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V7 X has been custom-tuned for instrumental use. The upper frequency range is smooth & balanced, capturing every nuance of the player, while the lowered resonance and extended, powerful low frequency response allows for a complete spectrum of instruments: 4x12 guitar cabs, toms, snares, horns, rotary organs, or any other instrument all come through loud, natural, and clear.
The supercardioid pattern of this sophisticated capsule also helps isolate your instruments from other sound sources on the stage - efficiently reducing stage bleed and ensuring copious amounts of gain before feedback.
Proven neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency.
The V7 X's road-ready design is all metal - no plastic parts here. The chassis' high quality, highly durable zinc alloy is designed to hold up under on-stage stress for years, and the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability.
And see that beveled edge around the grille? This prevents the V7 X from rolling when set down on top of an amp or the stage floor.
The V7 X’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and providing exceptionally low rumble and handling noise as compared to other mics in its class.
The red internal windscreen efficiently reduces unwanted wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
The V7 X's gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come.
The V BEAT & V CLAMP: Superior isolation & effortless sonics, all with minimal footprint & maximum flexibility. Effortlessly amazing sound for any snare or tom drum, whether on-stage or off. The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X instrument dynamic, but in a dedicated low-profile & drum-friendly form factor. Tuned for instrumental use, it can also be used on sources such as electric guitar speaker cabinets or brass instruments.
Its specialized capsule provides a highly detailed, extremely natural sound character on snares or toms of any size, with amazing off-axis rejection to minimize bleed from nearby drums and cymbals. Its ultra-compact design and parallel XLR connector & stand mount give it the smallest footprint in its class, and its rock-solid swivel mount allows its angle to be adjusted with great precision – so it can be aimed at almost any part of the drum head to achieve whatever sound character is required.
Compact, flexible, and minimalist design: The V BEAT utilizes an extremely low-profile mechanical design, with the XLR connector and stand mount integrated in parallel on the underside of the flexible swivel mount. This minimizes the V BEAT’s footprint, removes any cables from line-of-sight, and negates the need for any right-angle adapters or special cables. It also means there’s no danger of cables interfering with the drummer’s performance, as they are kept out of the way of cymbals and drum sticks alike.
When used as intended with the V CLAMP, the V BEAT becomes even more compact and even more flexible.
The V CLAMP adds another axis of vertical movement for even better fine-positioning ability, and keeps the V BEAT securely fastened to your drum rim while adding barely any bulk to the overall footprint.
The custom DMC7 X capsule offers the same technologies and features as its sibling within the acclaimed V7, including the innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V BEAT has been custom-tuned for instrumental use. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with deep and clear lows for stellar performance. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments.
The excellent off-axis rejection of this sophisticated capsule also helps isolate your drums from other sound sources on the stage - efficiently reducing stage bleed and spill from other drums, cymbals and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the drum head.
Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency.
Unique, patented integrated capsule suspension: The V BEAT’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount.
All-metal housing & spring steel grille with gold XLR connector: The V BEAT’s road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V BEAT in any position.
Plus, the V BEAT’s gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come.
The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
Some popular drum mic mounting systems (such as the LP® Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V BEAT due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you.
The V BEAT + V CLAMP: Effortlessly amazing sound on any snare or tom, with minimal footprint and maximum flexibility. It's a no-brainer.
The sE7: A compact & classy condenser.
The sE7 is a high-quality back-electret small diaphragm condenser microphone intended for a wide range of studio and live sound applications, from acoustic guitars to pianos to drums and beyond.
With an optimized acoustic design, discrete class-A circuitry and a transformerless output, it delivers clear, natural sound quality at all frequencies, without suffering from fizzy highs or a lack of low-frequency punch.
The discrete electronics and the switchable attenuation pad ensure a high dynamic range, with high sound pressure level (SPL) handling capability and extremely low-noise components. The switchable low-cut filter helps eliminate rumble or footfall noise, and can also compensate for an excess of bass frequencies caused by the proximity effect. This enables the sE7 to close-mic many instruments including electric guitar speaker cabinets, brass instruments and drums.
Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy all-metal design, robust construction, and high-quality manufacturing standards. The sE7’s specialized capsule is designed for natural, balanced sound quality, with an ultra-thin diaphragm for excellent transient response. Its cardioid polar pattern also makes it ideal for most studio or stage applications, delivering great sound for almost any source.
With a very short signal path and state of the art electronics, the sE7 is the quietest microphone in its class. The transformerless design ensures pristine sound quality, reproducing instruments with excellent clarity and depth.
The switchable -20dB attenuation pad prevents overloading your preamp or mixer and provides extended dynamic range, enabling close-mic techniques for even the loudest sources like brass instruments and snare drums.
The integrated 80Hz low-cut filter helps to eliminate low-frequency rumble or footfall noise, or to compensate for excessive bass (proximity effect) with close-mic techniques.
The sE7’s all-metal chassis provides efficient rejection of any electrical interference and noise, and its high-quality finish ensures a great look for years to come, and the corrosion-free gold-plated XLR contacts ensure a loss-free, reliable signal connection for years and years and years and...
The sE7 also comes standard with a custom mic clip that will securely attach it to any mic stand via the included thread adapter, plus a windscreen to avoid wind noise.
sE's V PACKS provide effortlessly amazing sound for your entire drum kit.
The V PACK CLUB consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE7 condensers for your overheads.
All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.
The V KICK: Unbeatable punch & impact, with four custom voicings to cover any sonic need.
From big band to metalcore, the V KICK has got you covered. The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Its integrated swivel joint allows for any required mic placement, and its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone. From warm and classic to modern and aggressive, the V KICK gives you any kick drum sound you need.
From classic to modern:
Four switchable sonic voicings. Two switches on the rear side of the V KICK allow you four different sound settings, great for tailoring the sound for your specific project – and ideal for live shows with multiple bands and short changeovers. And since they’re on the back of the mic, these switches are still accessible even if the V KICK is placed inside a kick drum.
With the V KICK, you can always make the right choice with just a single microphone.
The left-hand switch shapes the microphone’s overall voicing.
“Classic” provides a more traditional kick drum sound with a familiar low frequency punch and a warmer, more rounded sound. If a more contemporary, aggressive sound is desired, the “Modern” setting emphasizes the low end and high end (a “scooped” sound).
The right-hand switch specifically tailors the high-frequency character.
“Classic” provides a typical bite in the upper midrange (presence boost) and a more rounded and familiar sound, while “Modern” provides an open, clear and transient-rich top end for a more contemporary, aggressive drum sound - ideal for metal and hard rock.
The most compact kick drum mic on the market: The V KICK’s extremely low profile allows for effortless placement outside or inside a kick drum, and its integrated swivel joint allows for easy positioning inside (through the drum head port) or outside the kick drum. And with the stand mount and the XLR connector mounted side-by-side in parallel on the underside of the mic, your mic cables stay flush with the mic stand – no cable clutter, completely minimal footprint, and easy to place anywhere.
The heart of the V KICK: the DMC7 SB capsule. The all-new custom DMC7 SB capsule offers the same technologies and features as its siblings within the acclaimed V7 and V7 X, including the innovative, specialized aluminum voice coil. While the V7 X is optimized for most other instruments, the capsule in the V KICK has been custom-tuned for the very lowest and loudest tones. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with effortless capture of low frequency energy and punch. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments. The excellent off-axis rejection of this sophisticated capsule also helps isolate your kick drum from other sound sources on the stage - efficiently reducing stage bleed and spill from snare, toms, hi-hat and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the sound source. Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency. Unique, patented integrated capsule suspension
The V KICK’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount.
All-metal housing & spring steel grille with gold XLR connector: The V KICK's road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V KICK in any position. Plus, the V KICK's gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come.
The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
Some popular drum mic mounting systems (such as the LP®Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V KICK due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you.
Powerful. Natural. Focused. - The V7 X brings all of your instruments to life.
A supercardioid dynamic instrument microphone that lifts the sonic curtain in front of your sources, connecting listeners with your performance at a whole new level. The sibling to the acclaimed vocal-oriented V7, the V7 X is a dynamic instrument microphone ideal for a broad range of instrumental applications - both in the studio and on stage. Its specialized capsule’s innovative aluminum voice coil and brand new acoustic design are specifically tailored for full-bandwidth instrumental reinforcement & recording, with a perfect balance of detailed highs and deep, ultra-powerful lows, allowing for use on nearly any source from electric guitar cabinets to brass instruments, snare drums to choir, and many more.
In a world crowded with dynamic microphones - and largely led by a small handful of “industry standards” - the V7 has rapidly achieved high praise from both artists and reviewers alike with its stunningly realistic sound quality, immense gain before feedback, and superior off-axis rejection.
The V7 X brings these same desirable qualities to your instruments, providing a perfectly natural picture of their sound in any live or studio environment - and thus offering an even closer connection between the instrument and the listener.
The all-new custom DMC7 X capsule offers the same technologies and features as its sibling within the V7, including its innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V7 X has been custom-tuned for instrumental use. The upper frequency range is smooth & balanced, capturing every nuance of the player, while the lowered resonance and extended, powerful low frequency response allows for a complete spectrum of instruments: 4x12 guitar cabs, toms, snares, horns, rotary organs, or any other instrument all come through loud, natural, and clear.
The supercardioid pattern of this sophisticated capsule also helps isolate your instruments from other sound sources on the stage - efficiently reducing stage bleed and ensuring copious amounts of gain before feedback.
Proven neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency.
The V7 X's road-ready design is all metal - no plastic parts here. The chassis' high quality, highly durable zinc alloy is designed to hold up under on-stage stress for years, and the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability.
And see that beveled edge around the grille? This prevents the V7 X from rolling when set down on top of an amp or the stage floor.
The V7 X’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and providing exceptionally low rumble and handling noise as compared to other mics in its class.
The red internal windscreen efficiently reduces unwanted wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
The V7 X's gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come.
The V BEAT & V CLAMP: Superior isolation & effortless sonics, all with minimal footprint & maximum flexibility. Effortlessly amazing sound for any snare or tom drum, whether on-stage or off. The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X instrument dynamic, but in a dedicated low-profile & drum-friendly form factor. Tuned for instrumental use, it can also be used on sources such as electric guitar speaker cabinets or brass instruments.
Its specialized capsule provides a highly detailed, extremely natural sound character on snares or toms of any size, with amazing off-axis rejection to minimize bleed from nearby drums and cymbals. Its ultra-compact design and parallel XLR connector & stand mount give it the smallest footprint in its class, and its rock-solid swivel mount allows its angle to be adjusted with great precision – so it can be aimed at almost any part of the drum head to achieve whatever sound character is required.
Compact, flexible, and minimalist design: The V BEAT utilizes an extremely low-profile mechanical design, with the XLR connector and stand mount integrated in parallel on the underside of the flexible swivel mount. This minimizes the V BEAT’s footprint, removes any cables from line-of-sight, and negates the need for any right-angle adapters or special cables. It also means there’s no danger of cables interfering with the drummer’s performance, as they are kept out of the way of cymbals and drum sticks alike.
When used as intended with the V CLAMP, the V BEAT becomes even more compact and even more flexible.
The V CLAMP adds another axis of vertical movement for even better fine-positioning ability, and keeps the V BEAT securely fastened to your drum rim while adding barely any bulk to the overall footprint.
The custom DMC7 X capsule offers the same technologies and features as its sibling within the acclaimed V7, including the innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V BEAT has been custom-tuned for instrumental use. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with deep and clear lows for stellar performance. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments.
The excellent off-axis rejection of this sophisticated capsule also helps isolate your drums from other sound sources on the stage - efficiently reducing stage bleed and spill from other drums, cymbals and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the drum head.
Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency.
Unique, patented integrated capsule suspension: The V BEAT’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount.
All-metal housing & spring steel grille with gold XLR connector: The V BEAT’s road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V BEAT in any position.
Plus, the V BEAT’s gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come.
The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
Some popular drum mic mounting systems (such as the LP® Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V BEAT due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you.
The V BEAT + V CLAMP: Effortlessly amazing sound on any snare or tom, with minimal footprint and maximum flexibility. It's a no-brainer.
The sE7: A compact & classy condenser.
The sE7 is a high-quality back-electret small diaphragm condenser microphone intended for a wide range of studio and live sound applications, from acoustic guitars to pianos to drums and beyond.
With an optimized acoustic design, discrete class-A circuitry and a transformerless output, it delivers clear, natural sound quality at all frequencies, without suffering from fizzy highs or a lack of low-frequency punch.
The discrete electronics and the switchable attenuation pad ensure a high dynamic range, with high sound pressure level (SPL) handling capability and extremely low-noise components. The switchable low-cut filter helps eliminate rumble or footfall noise, and can also compensate for an excess of bass frequencies caused by the proximity effect. This enables the sE7 to close-mic many instruments including electric guitar speaker cabinets, brass instruments and drums.
Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy all-metal design, robust construction, and high-quality manufacturing standards. The sE7’s specialized capsule is designed for natural, balanced sound quality, with an ultra-thin diaphragm for excellent transient response. Its cardioid polar pattern also makes it ideal for most studio or stage applications, delivering great sound for almost any source.
With a very short signal path and state of the art electronics, the sE7 is the quietest microphone in its class. The transformerless design ensures pristine sound quality, reproducing instruments with excellent clarity and depth.
The switchable -20dB attenuation pad prevents overloading your preamp or mixer and provides extended dynamic range, enabling close-mic techniques for even the loudest sources like brass instruments and snare drums.
The integrated 80Hz low-cut filter helps to eliminate low-frequency rumble or footfall noise, or to compensate for excessive bass (proximity effect) with close-mic techniques.
The sE7’s all-metal chassis provides efficient rejection of any electrical interference and noise, and its high-quality finish ensures a great look for years to come, and the corrosion-free gold-plated XLR contacts ensure a loss-free, reliable signal connection for years and years and years and...
The sE7 also comes standard with a custom mic clip that will securely attach it to any mic stand via the included thread adapter, plus a windscreen to avoid wind noise.
The V PACK CLUB consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE7 condensers for your overheads.
All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.
The V KICK: Unbeatable punch & impact, with four custom voicings to cover any sonic need.
From big band to metalcore, the V KICK has got you covered. The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Its integrated swivel joint allows for any required mic placement, and its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone. From warm and classic to modern and aggressive, the V KICK gives you any kick drum sound you need.
From classic to modern:
Four switchable sonic voicings. Two switches on the rear side of the V KICK allow you four different sound settings, great for tailoring the sound for your specific project – and ideal for live shows with multiple bands and short changeovers. And since they’re on the back of the mic, these switches are still accessible even if the V KICK is placed inside a kick drum.
With the V KICK, you can always make the right choice with just a single microphone.
The left-hand switch shapes the microphone’s overall voicing.
“Classic” provides a more traditional kick drum sound with a familiar low frequency punch and a warmer, more rounded sound. If a more contemporary, aggressive sound is desired, the “Modern” setting emphasizes the low end and high end (a “scooped” sound).
The right-hand switch specifically tailors the high-frequency character.
“Classic” provides a typical bite in the upper midrange (presence boost) and a more rounded and familiar sound, while “Modern” provides an open, clear and transient-rich top end for a more contemporary, aggressive drum sound - ideal for metal and hard rock.
The most compact kick drum mic on the market: The V KICK’s extremely low profile allows for effortless placement outside or inside a kick drum, and its integrated swivel joint allows for easy positioning inside (through the drum head port) or outside the kick drum. And with the stand mount and the XLR connector mounted side-by-side in parallel on the underside of the mic, your mic cables stay flush with the mic stand – no cable clutter, completely minimal footprint, and easy to place anywhere.
The heart of the V KICK: the DMC7 SB capsule. The all-new custom DMC7 SB capsule offers the same technologies and features as its siblings within the acclaimed V7 and V7 X, including the innovative, specialized aluminum voice coil. While the V7 X is optimized for most other instruments, the capsule in the V KICK has been custom-tuned for the very lowest and loudest tones. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with effortless capture of low frequency energy and punch. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments. The excellent off-axis rejection of this sophisticated capsule also helps isolate your kick drum from other sound sources on the stage - efficiently reducing stage bleed and spill from snare, toms, hi-hat and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the sound source. Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency. Unique, patented integrated capsule suspension
The V KICK’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount.
All-metal housing & spring steel grille with gold XLR connector: The V KICK's road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V KICK in any position. Plus, the V KICK's gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come.
The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
Some popular drum mic mounting systems (such as the LP®Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V KICK due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you.
Powerful. Natural. Focused. - The V7 X brings all of your instruments to life.
A supercardioid dynamic instrument microphone that lifts the sonic curtain in front of your sources, connecting listeners with your performance at a whole new level. The sibling to the acclaimed vocal-oriented V7, the V7 X is a dynamic instrument microphone ideal for a broad range of instrumental applications - both in the studio and on stage. Its specialized capsule’s innovative aluminum voice coil and brand new acoustic design are specifically tailored for full-bandwidth instrumental reinforcement & recording, with a perfect balance of detailed highs and deep, ultra-powerful lows, allowing for use on nearly any source from electric guitar cabinets to brass instruments, snare drums to choir, and many more.
In a world crowded with dynamic microphones - and largely led by a small handful of “industry standards” - the V7 has rapidly achieved high praise from both artists and reviewers alike with its stunningly realistic sound quality, immense gain before feedback, and superior off-axis rejection.
The V7 X brings these same desirable qualities to your instruments, providing a perfectly natural picture of their sound in any live or studio environment - and thus offering an even closer connection between the instrument and the listener.
The all-new custom DMC7 X capsule offers the same technologies and features as its sibling within the V7, including its innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V7 X has been custom-tuned for instrumental use. The upper frequency range is smooth & balanced, capturing every nuance of the player, while the lowered resonance and extended, powerful low frequency response allows for a complete spectrum of instruments: 4x12 guitar cabs, toms, snares, horns, rotary organs, or any other instrument all come through loud, natural, and clear.
The supercardioid pattern of this sophisticated capsule also helps isolate your instruments from other sound sources on the stage - efficiently reducing stage bleed and ensuring copious amounts of gain before feedback.
Proven neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency.
The V7 X's road-ready design is all metal - no plastic parts here. The chassis' high quality, highly durable zinc alloy is designed to hold up under on-stage stress for years, and the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability.
And see that beveled edge around the grille? This prevents the V7 X from rolling when set down on top of an amp or the stage floor.
The V7 X’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and providing exceptionally low rumble and handling noise as compared to other mics in its class.
The red internal windscreen efficiently reduces unwanted wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
The V7 X's gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come.
The V BEAT & V CLAMP: Superior isolation & effortless sonics, all with minimal footprint & maximum flexibility. Effortlessly amazing sound for any snare or tom drum, whether on-stage or off. The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X instrument dynamic, but in a dedicated low-profile & drum-friendly form factor. Tuned for instrumental use, it can also be used on sources such as electric guitar speaker cabinets or brass instruments.
Its specialized capsule provides a highly detailed, extremely natural sound character on snares or toms of any size, with amazing off-axis rejection to minimize bleed from nearby drums and cymbals. Its ultra-compact design and parallel XLR connector & stand mount give it the smallest footprint in its class, and its rock-solid swivel mount allows its angle to be adjusted with great precision – so it can be aimed at almost any part of the drum head to achieve whatever sound character is required.
Compact, flexible, and minimalist design: The V BEAT utilizes an extremely low-profile mechanical design, with the XLR connector and stand mount integrated in parallel on the underside of the flexible swivel mount. This minimizes the V BEAT’s footprint, removes any cables from line-of-sight, and negates the need for any right-angle adapters or special cables. It also means there’s no danger of cables interfering with the drummer’s performance, as they are kept out of the way of cymbals and drum sticks alike.
When used as intended with the V CLAMP, the V BEAT becomes even more compact and even more flexible.
The V CLAMP adds another axis of vertical movement for even better fine-positioning ability, and keeps the V BEAT securely fastened to your drum rim while adding barely any bulk to the overall footprint.
The custom DMC7 X capsule offers the same technologies and features as its sibling within the acclaimed V7, including the innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V BEAT has been custom-tuned for instrumental use. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with deep and clear lows for stellar performance. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments.
The excellent off-axis rejection of this sophisticated capsule also helps isolate your drums from other sound sources on the stage - efficiently reducing stage bleed and spill from other drums, cymbals and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the drum head.
Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency.
Unique, patented integrated capsule suspension: The V BEAT’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount.
All-metal housing & spring steel grille with gold XLR connector: The V BEAT’s road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V BEAT in any position.
Plus, the V BEAT’s gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come.
The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory.
Some popular drum mic mounting systems (such as the LP® Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V BEAT due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you.
The V BEAT + V CLAMP: Effortlessly amazing sound on any snare or tom, with minimal footprint and maximum flexibility. It's a no-brainer.
The sE7: A compact & classy condenser.
The sE7 is a high-quality back-electret small diaphragm condenser microphone intended for a wide range of studio and live sound applications, from acoustic guitars to pianos to drums and beyond.
With an optimized acoustic design, discrete class-A circuitry and a transformerless output, it delivers clear, natural sound quality at all frequencies, without suffering from fizzy highs or a lack of low-frequency punch.
The discrete electronics and the switchable attenuation pad ensure a high dynamic range, with high sound pressure level (SPL) handling capability and extremely low-noise components. The switchable low-cut filter helps eliminate rumble or footfall noise, and can also compensate for an excess of bass frequencies caused by the proximity effect. This enables the sE7 to close-mic many instruments including electric guitar speaker cabinets, brass instruments and drums.
Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy all-metal design, robust construction, and high-quality manufacturing standards. The sE7’s specialized capsule is designed for natural, balanced sound quality, with an ultra-thin diaphragm for excellent transient response. Its cardioid polar pattern also makes it ideal for most studio or stage applications, delivering great sound for almost any source.
With a very short signal path and state of the art electronics, the sE7 is the quietest microphone in its class. The transformerless design ensures pristine sound quality, reproducing instruments with excellent clarity and depth.
The switchable -20dB attenuation pad prevents overloading your preamp or mixer and provides extended dynamic range, enabling close-mic techniques for even the loudest sources like brass instruments and snare drums.
The integrated 80Hz low-cut filter helps to eliminate low-frequency rumble or footfall noise, or to compensate for excessive bass (proximity effect) with close-mic techniques.
The sE7’s all-metal chassis provides efficient rejection of any electrical interference and noise, and its high-quality finish ensures a great look for years to come, and the corrosion-free gold-plated XLR contacts ensure a loss-free, reliable signal connection for years and years and years and...
The sE7 also comes standard with a custom mic clip that will securely attach it to any mic stand via the included thread adapter, plus a windscreen to avoid wind noise.
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